Showing posts with label Andy's Storytelling. Show all posts
Showing posts with label Andy's Storytelling. Show all posts

Friday, May 29, 2026

Blind Waters (2023) Tubi

 





Blind Waters (2023)



Review: Blind Waters (2023) – The Eye of the Storm (Literally)

​If you have ever sat on your sofa and thought, "I love shark movies, but what I really want is to feel like I desperately need an eye exam for ninety minutes," then Tubi has the absolute treat for you. Blind Waters is an Asylum-produced, bargain-bin creature feature that takes a semi-decent survival gimmick and blurs it into oblivion.

​The Setup: A Very Interrupted Proposal

​We start with Valentina and her boyfriend Weston going out for a nice, private scuba diving trip. Weston is planning a big, romantic proposal—because nothing says "marry me" quite like a tight, neoprene wetsuit. Unfortunately, a ravenous, heavily pixelated shark decides to cock-block his big moment by repeatedly ramming their rental boat.

​The boat capsizes, Weston gets a chunk taken out of his leg, and Valentina takes a nasty bump to the head that triggers the film's namesake: she starts going blind. From here, it’s a race against time, infection, and a shark that clearly has a personal vendetta against young love.

​The Gimmick: Blindness or Just Bad Focus?

​Let's talk about the elephant in the water—or rather, the cornea in crisis. The director, Anthony C. Ferrante (yes, the Sharknado guy), decided that the best way to make the audience empathize with Valentina’s failing vision was to subject us to an absolute onslaught of blurry, out-of-focus camera angles.

​The "Squint Factor": For a massive chunk of the second half, you will find yourself rubbing your own eyes, wondering if your TV screen has suddenly melted. It’s one thing to show her perspective occasionally; it’s another to make the entire film look like it was smeared with Vaseline.

​The Logistical Comedy: Watching a character try to scan the horizon for a killer fin while essentially looking through a frosted bathroom window adds a level of unintentional comedy. You almost expect the shark to start waving a white flag just to help her out. It completely saps the tension and replaces it with a mild headache.

​The Mid-Movie Detour

​Just when you think this is a straightforward survival tale, the script throws a massive curveball. They end up stranded on a tiny island with a completely sketchy survivor named Gabe.

​Suddenly, the movie doesn't know what it wants to be. Is it a tense creature feature? Or is it a psychological thriller about a weird bloke on a reef who—coincidentally—happens to be the guy who stole Valentina's purse earlier on the beach? It stretches the limits of coincidence, and frankly, takes away from the main attraction: the shark.

​The Verdict: A Blurry 3.5 out of 10

​The actors actually give it a proper go, bless them. They are trying their absolute best with dialogue that belongs in a soap opera, and the ocean scenery (before it gets blurred out) is quite lovely. But between the agonizingly slow pacing of the middle section, the sub-par CGI shark, and a visual style that makes you feel like you've misplaced your spectacles, Blind Waters ultimately sinks under its own weight.

​It's harmless, late-night background noise, but keep a bottle of eye drops hand

Wednesday, May 13, 2026

Review, disappearance

 



🔥⚠️


New Blog Post: Lost in the Desert 🌵

​"A family road trip, a ghost town, and a mystery that never lets go. I’m reviewing the 1999 thriller 'Disappearance' today. If you like suspense that leaves you questioning reality, this one is for you! Read the full breakdown on the blog."🚗🚗📸

Blog series

Free on tubi!! 😳😳🐕🐕🐕🐕

Monday, May 11, 2026

Movie review:2012

 




The Review

​If you want to see the entire world get absolutely fucking wrecked, 2012 is the movie for you. It’s Roland Emmerich doing what he does best: blowing things up on a scale that shouldn't even be possible.


 You’ve got John Cusack playing Jackson Curtis, a struggling writer (I can relate to the writer bit, at least!) who turns into a professional disaster-dodger.  


​The CGI is the real star here. Watching California literally slide into the ocean while Cusack weaves a limo through crumbling skyscrapers is pure, ridiculous popcorn fun. Is it realistic? Not even close. Is it cheesy? You bet. 


But that’s the point! Whether it’s Woody Harrelson playing a crazy radio hermit at Yellowstone or the massive Arks in the Himalayas, it’s a non-stop rollercoaster. I loved the high stakes, and even though the dialogue can be a bit "eye-roll" worthy, you can't help but root for the family to make it through. It’s big, it’s loud, and it’s exactly what a disaster movie should be.

The Canyon (2009) – A Brutal Dose of Reality

 




The Canyon (2009) – A Brutal Dose of Reality

​I just finished The Canyon, and honestly, I liked it. It’s a very entertaining flick, but what really got me was how realistic it felt. You’re watching these people and thinking, "Yeah, that’s exactly how things would go south."

​Now, I have to be honest—I disagreed with the ending. I didn't like where it went, but the fact that the ending was so sad actually made it okay for me. It gave it a weight that most of these survival movies shy away from.

​As always, you’ve got to look at who’s leading the charge. The main actors here, Yvonne Strahovski and Eion Bailey, really carried the tension. They made the desperation feel real. If you want a survival thriller that doesn't pull its punches, this is one to watch.